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Archive for the ‘Work’ Category

HDYGTFAJ: Vivian Leung of 9SpotMonk

Mondays suck. Especially if you hate your job. But the day doesn’t have to be a total waste. You can now look forward to reading about ReadyMakers who have worked their way into f*&%ing awesome jobs—and maybe find a little inspiration to jumpstart your own career in the process—right here, every Monday.

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Have you ever wondered how to start a letterpress print shop? Vivian Leung did it, launching her design/print business 9SpotMonk in an apartment in Hoboken. (That’s her above left, with sister and business partner Tiffany.) Eight years later, she attests that growing your own creative business is possible, if you’ve got a head for research—and a stomach for lots of hard work.

VITAL STATS
Occupation: Designer, Printer and Founder of 9SpotMonk Design
Location: Glen Rock, NJ
Age: Oi. 36.
First Job: First job was in college, worked at a small women owned children’s book store in the town where I lived. My commute was a block from my house. I recommended and sold books, wrapped gifts and vacuumed the floor at the end of the day. I only worked Saturdays. Mostly it was me and the owner and for the holidays, both owners were there. I had no idea about children’s books but I learned fast. Sales (still) was not my forte. Parents would want recommendations and then they’d say ‘no’ and pick out their own stuff. I ended up manning the register mostly and that meant wrapping a lot of gifts and making baskets for birthday kids. That I loved and eventually became the go-to person to create baskets and wrap stuff. I ended up doing their window displays long after I stopped working there. I think it’s also there that I picked up my obssession with children’s books. My kids have over 300 books and neither of them can read yet.
Best Job:
The two I have now—running 9SpotMonk with my sister Tiffany and being a mother to two kids aged 5 and 3.
Greatest Professional Challenge: Knowing when to stop working. It’s terribly hard to separate my personal time and work time. After 5 years, I am still working on that.
Salary During 20s: Ranged from $7.00/hour at the bookshop and my last corporate job (acd at advertising agency) $115k.

1. Hi, Vivian Leung. How did you get that f*&%ing awesome job?

It was late 2001, and I had just come back from my honeymoon and my interactive department at the ad agency shut down due to the internet bust. Sat at home for about a week figuring out next steps and then registered my business name, 9SpotMonk Design, without knowing exactly what I was going to do. So for the next three years, 9SpotMonk was a design studio doing interactive and print design projects. Then I was asked to design a wedding invitation and I thought, “wouldn’t it be great if I could produce what I created as well?” So a month of research brought me to letterpress, which I’m a little embarrassed to say I had heard nothing about until that point. I needed machinery that I could have in our tiny Hoboken apartment. I drove up to Chicopee, Maschussetts with my grandmother (the only one who would hang with me on that Saturday) and brought back my first piece of letterpress history, a 6 by 10 Craftsman tabletop press. I got a couple of books in hand and taught myself how to use the press. It was an interesting time. I found out how awesome letterpress was and in a few months got another press, and then another. My husband, little 8 month old daughter and I moved out of Hoboken to the ‘burbs and then the big monsters came: two Heidelberg Windmills, two Vandercook SP-15’s and an electric cutter. And that’s how 9SpotMonk Letterpress started.

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Falloween: Just Another Day at the Office

Amy (our deputy editor), Adam (our senior graphic designer), and I just returned from a festive fall party one floor above us: Better Homes and Gardens Falloween. Not only were there beverages and all kinds of treats, but also gourd bowling and pumpkin ring toss.

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Amy threw first, and tossing that hula hoop was much harder than it seemed. She didn’t reach the free ticket pumpkin, but she did get some candy out of it…which is just as satisfying.

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Adam definitely wins the “RM Gourd Bowler of the Year” award. We found that kicking the ball off the wall results in more pins down, but also increases the noise to an obnoxious level.

After all, we were in an office building.

HDYGTFAJ: Sparky Taylor of Microcosm Publishing

Mondays suck. Especially if you hate your job. But the day doesn’t have to be a total waste. You can now look forward to reading about ReadyMakers who have worked their way into f*&%ing awesome jobs—and maybe find a little inspiration to jumpstart your own career in the process—right here, every Monday.

sparky

Sparky Taylor, above left, in the Microcosm hoodie, is one of the seven people who run Microcosm Publishing, a seven-person collective that publishes and distributes books and zines. Below, her thoughts on working in a collective, getting BoingBoing’d, and doing what she loves—getting ethically-produced reading material out to the world.

VITAL STATS
Occupation: Book-slinger
Location: Bloomington, IN
Age: 26
First Job: Ugh. Telephone surveys!
Best Job: It’s an even tie between the 3 jobs I currently have
Greatest Professional Challenge: My name is Sparky Taylor
Salary During 20s: I get paid hourly. I’d say it’s mostly a labor of love.

1. Hi, Sparky Taylor. How did you get that f*&%ing awesome job?
A combination of a deep passion for books, and luck, I’m pretty sure.

2. Tell us a little bit about Microcosm.
Microcosm is a collective of 7 people who publish and distribute books and zines. We have a general focus on DIY, and that includes veganism, comics, bikes, and a whole lot of other things. Our goals are to ethically produce reading material that is affordable and educational. We do mail-order, primarily through our website.

3. Did you always want to work in independent publishing, or did it just kind of happen?

I definitely always wanted to do something with books. It was my life goal to work in a bookstore. I got the chance to volunteer at Boxcar Books here in Bloomington for 3 years, which was an amazing opportunity. It’s how I met Joe who founded Microcosm, and it ultimately lead to my job here.

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HDYGTFAJ: Kris Chen of XL Recordings

Mondays suck. Especially if you hate your job. But the day doesn’t have to be a total waste. You can now look forward to reading about ReadyMakers who have worked their way into f*&%ing awesome jobs—and maybe find a little inspiration to jumpstart your own career in the process—right here, every Monday.

kris_chen_2

As head of A&R (that’s “artists and repertiore” to you) for XL Recordings, Kris Chen has gotten to sign Thom Yorke, Vampire Weekend, and Sigur Ros—which is pretty much what he was dreaming about doing since long before his mom told him to major in something sensible in college. (Click through to the band names to get a listen.)

VITAL STATS
Occupation: Head of A&R for XL Recordings
Location: New York and sometimes London
Age: 37
First Job: Janitor in the Peterbilt truck factory in Denton, TX
Best Job: This one. Seriously. Or do you mean the best job that exists which is not mine? In that case, Anthony Bourdain’s job looks incredible. I’d eat anything to get it.
Greatest Professional Challenge: Being polite and doing my expenses.
Salary During 20s: When I was 20 I clocked $4.50 an hour.

1. Hi, Kris Chen. How did you get that f*&%ing awesome job?
I ran the US office of Domino Records for 4 years, and my friend Miwa recommended me to Richard Russell (owner of XL) as someone to consider for A&R. I met with Richard several times over the next few months and got on really well. I’d done almost everything else at Domino—sales, press, and accounting (all at the same time) so I wanted a challenge and XL felt like the right fit musically. In the last 4 years that I’ve been with XL, I’ve been really fortunate to sign Thom Yorke, Vampire Weekend, Sigur Ros and Holly Miranda and work with some really inspiring bands like Ratatat, the Horrors, and Titus Andronicus.

2. So what exactly does an A&R person do?
On one hand there’s a very basic process of listening to new music, seeing shows, and trying to find artists that you’d like to sign because you believe they fit with the label and could be successful. Once you’ve signed that artist though, you’ve got so much more work ahead of you. I tend to be very hands-on helping people maintain the creative detail of their album from the track sequence to artwork to planning videos. After that, when you’ve got a finished album, you have to work with your staff of publicists, sales, radio promo, and marketing folks to help the project get the best shot.

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HDYGTFAJ: Kate Bingaman of Obsessive Consumption

Mondays suck. Especially if you hate your job. But the day doesn’t have to be a total waste. You can now look forward to reading about ReadyMakers who have worked their way into f*&%ing awesome jobs—and maybe find a little inspiration to jumpstart your own career in the process—right here, every Monday.

kate bingaman

Kate Bingaman-Burt is known for her drawings of everyday purchases, posted online at What Did You Buy Today? She’s also adjusting to a new home-town—Portland, Oregon, where she teaches graphic design at PSU (check out the department blog she set up, and the student group she advises), and works on projects in her colorful, jam-packed home studio.

VITAL STATS
Name: Kate Bingaman-Burt
Occupation: Assistant Professor of Visual Communication/ Founder of Obsessive Consumption / Freelance Illustrator
Location: Portland State University, Portland, Oregon
Age: 32
First Job:
When I was 13 I worked as an after-school janitor and part time pin peddler. After I finished cleaning the school’s toilets, I went home and made pins by cutting images out of magazines and catalogs. I would mount them on foam core and color the edges with a gold pen. FANCY! I sold them at the local floral shops and to anyone who would listen to me. Growing up in a town of 600, my market was limited. I have said this a billion times, but I so wish the internet had existed in the late 80s early 90s. Then I could have sold these amazing accessories to at least TEN more people. Ha!
Best Job: The three I currently have! Teaching at PSU, illustrating for good people and making my own personal work underneath the Obsessive Consumption umbrella.
Greatest Professional Challenge: BALANCE. Not being able to step away from my workspace. MYSELF. Realizing that sleep and a schedule and sometimes stepping away is conducive to producing more work, not less. LEARNING TO SAY NO. (I usually want to say yes).
Salary During 20s: Ranged from nothing to $25,000 (first design job) back to nothing (grad school) and then it touched $40,000 once I started teaching full time at a university when I was 27. I am starting my sixth year teaching full time. OMG.

1. Hi, Kate Bingaman-Burt. How did you get that f*&%ing awesome job?
So many good turns of events! I will try to keep it short—this is the cliff note version.

081509When I was 16 I thought I was going to be a broadcast journalist, but instead I wound up with a double major in English and art. After undergrad I worked full time as an in-house packaging and product designer for a gift company in Omaha, Nebraska. Through designing my ass off and going to TONS of trade shows, I realized I was pretty fascinated with why people buy what they buy. Once I realized this, I then wanted to make self-authored work about people’s STUFF. I decided to go to graduate school where I focused on design and personal consumerism for three years. While I was in graduate school I realized that I LOVED teaching as well. I was hired as an assistant professor of graphic design at Mississippi State University my last year of graduate school and spent four years teaching rad kids about typography and design. I also made piles of work under the name Obsessive Consumption. Oh, and my husband and I started a non-profit called The Public Design Center while we were there too.

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A Morning Missive Re: Alternative Transportation

Like many others, each morning I’m greeted by a mountain of email. A lot of it is garbage but a lot of it isn’t and it’s my morning mental excercise to sort it out. Today, one in particular stuck out to me. It’s subject read: “David Byrne – A Talking Head, not a Gear Head.”

david_byrne1991

If you’ve followed my ramblings here or you’ve checked out our October/November issue you’ll have some idea that I’m a bicycle enthusiast and a fan of David Byrne’s recently released “Bicycle Diaries” so it’s not surprising that this was the first message I opened.
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HDYGTFAJ: Doug Repetto of Dorkbot NYC

Mondays suck. Especially if you hate your job. But the day doesn’t have to be a total waste. You can now look forward to reading about ReadyMakers who have worked their way into f*&%ing awesome jobs—and maybe find a little inspiration to jumpstart your own career in the process—right here, every Monday.

doug_repetto

As the director of Columbia University’s Computer Music Center and the founder of the rhizomatic electronic art/technology/ideas/fun-time group dorkbot, Doug Repetto wears a lot of hats—including this fetching straw one when he works in the garden.

VITAL STATS

Occupation: Director of Research, Columbia University Computer Music Center; founder of dorkbot: people doing strange things with electricity and organizer of dorkbot-nyc; founder and co-curator of ArtBots: The Robot Talent Show; artist
Location: New York City!
Age: 38
First Job: 7-11 where I was an underage cold cuts cutter (gross), learned how to clean coffee pots with Coke Slurpee mix, watched grumpy old cashiers steal their weekly groceries, and got horrible poison ivy when they made me mow the weeds in the back of the store. I think I made $3/hr.
Best Job: Current “jobs” are pretty great!
Greatest Professional Challenge: Lack of interest in $ vs. need for $.
Salary During 20s: $14-30k.

1. Hi, Douglas Repetto. How did you get that f*&%ing awesome job?

Some of them I made up (dorkbot, ArtBots, artist) and just started working. Getting my job at Columbia was luck and coincidence—I had decided to quit my previous gig (at Dartmouth College) to move to NYC and get a job at a record store or something and work on art. Then I happened to see a casual note at the bottom of someone else’s email saying that the CMC was looking to hire an art/music hacker type. I contacted them and said you don’t know me, but I’m moving to NYC and would love to be involved. It turned out that Brad Garton, the director of the CMC, did know who I was, since he was on a music-dsp (digital signal processing) mailing list I had started years before. So it all came together through lucky accidents. That said, I’ve found that being involved in lots of different things and participating in your community increases your chance of having lucky accidents!

2. You wear a lot of hats: teacher, working artist, founder and organizer of Dorkbot. How’d you get so diversified? What ties it all together?

I want to be useful. Making art can seem useless, but it ends up being useful in unexpected ways. Helping to make the world a more interesting place seems to me to be a good thing, so that tends to be my focus. I try to help students find their way, I try to put on shows and organize events that help people share their work with one another. I’m generally not very interested in distinctions between things like genres, disciplines, academic departments, high and low culture, etc. So I end up working with lots of different kinds of people with wildly varying interests. That’s exciting.

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Medieval Times

jousting
(Image: courtesy Jacki Lyden via NPR)

During Weekend Edition Saturday on NPR, another potentially f&%*ing awesome job was discussed: that of the American jouster. Not only has veteran Richard Alvarez spent 11 years with a lance in hand,  he has also directed a documentary on the lives of the modern day knights (and it doesn’t just revolve around Renaissance fairs).

HDYGTFAJ: Sean Riley of Woolcott and Co.

A good yarn shop is a welcoming place where every customer is greeted with a smile, or even better, “You’ve got to touch this!” (Yarn, that is.) At Woolcott and Company in Cambridge, Massachusetts, Sean Riley is that face—and it happened almost by accident.

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Name: Sean Riley
Occupation: Owner, Woolcott and Company
Where: Cambridge, Massachusetts
Age: 44
First job: McDonalds
Best job: Owner/manager of Woolcott and Company.
Salary during 20s: 25-28K
Greatest professional challenge: Owning and managing a small yarn shop, Woolcott.

Hi, Sean Riley. How did you get that f&%*ing awesome job? Part work, part luck. I managed the store for some time while the former owner, Niki Bronstein, was sick. When she passed, away the family helped me to buy the shop. Before coming to Woolcott, I was working at an ad agency, in creative.

How did you become a professional in the yarn world? I was a longtime customer [at Woolcott], and Niki asked me to help out on Saturdays every now and then. It became more and more steady. Then I was teaching classes, then managing the shop…then owning it.

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Behind the Scenes: Snapshots from a Photo Shoot and a Brief Aside on Hand Modeling

We are now about three weeks from our close for our December/January issue. This is usually when things start to get fun. The text and images are starting to pour in and photo shoots are happening on what seems to be a daily basis (below, creative director Stephen Perfetto maps out a shot while our intern, Claire Grossheim and deputy editor Amy Palanjian look on).

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It’s also when things can get a little hairy (haven’t used that word since the 8th grade by the way but I’m gonna go with it) as we’re juggling a few things at a time: Getting October/November out there and starting to hear feedback, heavy into production for December/January, heavy into planning/assigning/executing for February/March, plus everything else going on. I’ve worked on a “nearly monthly” magazine before and can’t even imagine what putting out a weekly (or a daily!) would be like so I’m not complaining, just saying, that’s all.

Yesterday found many of us down the street from ReadyMade DSM HQ at photographer Kathryn Gamble’s studio.

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