Life & Limb
A designer with a penchant for plants, Portlander Molly Quan mixes prickly succulents, vintage-mod furniture, and art with a fresh eye.
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Slide 1/7Quan stands in the backyard greenhouse where she nurtures succulents. -
Slide 2/7Rare succulent plants—aloe lineata, dudleya, and cotyledon—are potted in some of Quan’s vintage vessels, which she finds at garage and estate sales. -
Slide 3/7Molly Quan scored her turquoise sofa and a set of chairs (not shown) on eBay for $175. The “holey quail” painting is by Chris Hotz, a friend of Quan and her boyfriend, Louis Carlton. -
Slide 4/7Groupings of pottery, like this collection on the living room’s mantel, are displayed throughout her home. -
Slide 5/7Rare Oregon sunlight streams into Quan’s bedroom and over the platform bed—one of the few splurges in the house—draped with an organic duvet. -
Slide 6/7A collage of found artwork hangs above a garage sale console and hints at Quan’s quirk. -
Slide 7/7A buffalo painting by friend Erik Railton hangs over the dining room table, which Quan and Carlton bought used at a restaurant supply store. “So many of our friends are part of what’s around us,” she says. “We have friends doing cool things.”
The crazier a succulent looks, the better to Molly Quan, owner of Portland, Oregon’s urban plant and home accessories shop Life+Limb. Quan is on a quest to fill her shelves with “weird and sculptural” flora. A regular aloe vera is great, but a variety that’s hugely out of scale is better. Prickly and maybe toxic? Better still. So perhaps it’s fitting that her 1956 ranch in the Cully area (one of two neighborhoods real-estate agents steer buyers away from, she jokes) is filled with her own collection of the weird and sculptural from off-kilter art to vintage-modern furniture to succulents.
For Quan, 32, and boyfriend of four years Louis Carlton, 44, there are no rules when it comes to how you decorate. “I love mixing it up. It feels more lived in,” Quan says. There’s no certain science to her style. In homage to salon-style galleries, she fills the walls with artwork from friends and funky found frames in casual groupings. A framed collection of MRI printouts from Quan’s ACL surgery (she injured herself in a skateboarding accident) hangs next to a frame of Carlton’s judo certificate and a found-at-garage-sale sketch of a cowboy on a bucking bronco. “We don’t try for anything,” Quan says. “We just put things out that tell our story, and they usually work together.”



















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