The Making of a Futurist Banquet
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Slide 1/30The Futurists staged their provocative dinners all over Italy. Here's how to host your own. -
Slide 2/30Dry goods with interesting shapes find their way into edible decor. These were destined for wall panels. -
Slide 3/30The tablecloth is a 25-foot length of black linen embellished with innumerable glued-on felt triangles. -
Slide 4/30Tine triangles peek out from beneath big ones, adding yet another layer of detail and intrigue. -
Slide 5/30Nothing in the room is blue. "Omitting one color in a bright scheme gives it a more specific feeling," Karen explains. -
Slide 6/30Karen made this wire and papier-mache "couch potato" to hold the salt and vinegar chips (part of dessert). -
Slide 7/30Gold paper decoupage extends the triangle theme found on invitations, napkins, and candlesticks. -
Slide 8/30Karen mottled store-bought fabric napkins with bleach before adding linocut prints and fabric paint. -
Slide 9/30The folding pattern for the napkins is from an old book and results in more triangles. -
Slide 10/30Mummified in ribbon, an inexpensive floor lamp becomes an enchanted, illuminated forest. -
Slide 11/30Cardboard wall panels embellished with dry goods create a sense of enclosure and depth. -
Slide 12/30The ingredients: Honeycomb, Corn Pops, star anise, allspice berries, tinsel bursts. -
Slide 13/30Vinyl stickers easily cover big surfaces and provide a metallic contrast to the neutral foodstuffs. -
Slide 14/30Peanuts in a painted maple syrup bottle look organic—but are actually plastic. -
Slide 15/30Purple sashes on each chair serve as seat markers and blindfolds for the "skewers of strange tastes" course. -
Slide 16/30The anti-Caesar salad tower is made of plaster-covered cardboard and plastic wedding cake columns. -
Slide 17/30For her necklace, Karen treated a vintage shirt collar with glues and resins, then gold-leafed it (really). -
Slide 18/30One paper cup, four paper plates, a paper towel roll, and a dollar-store vase become a candy platter. -
Slide 19/30A signature Azoulay: broken plastic spoons as artichoke. -
Slide 20/30To add height, Karen broke apart a parasol, fused it to a base, then encrusted it with glitter and crystals. -
Slide 21/30Mini me: Tiny cocktail umbrellas get the parasol treatment. -
Slide 22/30Karen works intensely on transforming the floor lamp (from Home Depot) frist with paint, and then by wrapping the flexible arms with skeins of silk ribbon in coordinating colors. -
Slide 23/30The entree is a meat loaf wedding cake (recipe, not construction, from Ann Landers). -
Slide 24/30"Icing" the base with mashed potatoes, Parmesan cheese, mascarpone, and food coloring. -
Slide 25/30The centerpieces are filled with random candies, fruits, and veggies so diners can snack between courses. -
Slide 26/30A geodesic dome of ice cream cones nods to retro architectural progress. -
Slide 27/30Vegetables were chosen for their colors and shapes. Here, turnips mingle with eggplants and radishes. -
Slide 28/30Silicone ice-cube trays molded the trio of frozen soups in flavors of miso, coconut, and carrot ginger. -
Slide 29/30The anti-Caesar salad is Karen's interpretation of nature taking over crumbling Roman architecture. -
Slide 30/30Resin clay, spray paint, and nail polish dress up cheap metal skewers.
The Futurist Movement, which was founded by the Italian poet and impresario F.T. Marinetti in 1909, grew to encompass every mode of creative expression—poetry, sculpture, film, fashion, even typography and ceramics—before vanishing with his death in 1944. For our banquet, Karen created a vaudevillian laboratory theme by drawing on the Futurist fixations she found most inspiring—unexpected elements and bright colors, unusual textures, variations on scale and, of course, gastronomical cunning—all united by her signature touch: an obsessive attention to detail. "Dinner guests have to stay seated for a long time," she explains. "I wanted every single thing their eyes fell on to be a surprise."



















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